Jewellery Gallery, Munich
2019

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Semester 7

Prof. Maximilian Rimmel
In cooperation with Olivia Adam, Jessica Henkel, and Raphaela Schindler

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This project focuses on the interior addition of a jewelry studio and gallery into an existing building in Munich, which must remain structurally unchanged. The entrance to the space is at street level; however; the room is 2.8 meters below grade. The main idea of the design is to introduce a detached structure inside the room that enables access to all levels and generates seamless circulation throughout the entire space. Furthermore, this structure should create interior zones. A supporting structure made of rectilinear tubing will relate to the existing spatial division and symmetry. In every corner a vertical glass “column” functions as paternosters for showcases. A footbridge that is suspended between two of these columns allows visitors to experience the full height of the room. Inside, the jewelry display cases move steadily up and down. The individual ribbons can be controlled and stopped in order allow visitors to take a closer look at the jewelry pieces.

 

Upon arrival on the middle platform visitors arrive at the sales and consulting area, a room within a room created by the steel scaffolding. From here, two staircases, along the walls, lead down to exhibition areas of historical pieces. The lower floor also has various service and utility areas including a sanitary facilities and workshops for two goldsmiths. The workshops are viewable in order to gain insight into the jewelry process. The supporting structure is outfitted with lightweight wooden panels that can be opened or closed to the other areas with various materials such as cloth, glass, etc. Furthermore, the display cases are welded from simple steel connections that support the steel sides and glass panels in the front and back. This makes it possible to view the jewelry from both sides of the glass columns. The lid is operable for removing the pieces from the display cases. The double height floor provides the lighting for the display cases underneath. This exposure and movement creates a lively play of light throughout the room.

The selected furniture include the curved swan sofa, the black swan chair, and the black series 7 chair in the event room designed by Arne Jacobsen. The contrast between the rectilinear structure and bowed furniture creates interest and allows the furniture to be highlighted and even function as an exhibit.